In this project, where I served as the Print Layout Designer, we developed a retrospective exhibition identity and spatial design encompassing Eduardo Chillida’s multidisciplinary production. The exhibition is built upon the \"From Roots to Branches\" metaphor, inspired by the artist’s own statements in which he compares himself to a tree. Within the scope of the project, a chronological flow was curated utilizing the large and flexible gallery spaces of CerModern, while the concepts of space, negative space, and material integrity found in the artist’s works were translated into the visual identity.
Custom motifs derived from the artist's use of materials and forms were established as the primary visual language connecting all project outputs. Staying true to the artist's production methods, beige and earthy tones served as the foundation, with orange selected as an accent color to create contrast. Additionally, the tree metaphor integrated green into the palette.
Throughout every stage of the design process, we maintained a work discipline where we supported one another through various challenges and collectively analyzed feedback from our instructors to pivot with new decisions whenever necessary. This collective support mechanism was our primary motivation, ensuring that all components of the exhibition system merged in perfect visual and conceptual harmony.
", "image": "/digital/event-branding/print-layout/poster/final 4.webp", "is_nested": true, "folders": [ { "title": "Print & Layout Design", "cover": "/digital/event-branding/print-layout/poster/final 4.webp", "folders": [ { "title": "Posters", "cover": "/digital/event-branding/print-layout/poster/final 3.webp", "full_description": "In this poster, acting as the primary key visual of the exhibition, the figure-ground relationship is brought to the fore to highlight the balance of mass and void in Chillida’s sculptures and to reference the negative spaces in his drawings. The high contrast between the motifs—derived directly from the artist’s forms—and the background allows the \"From Roots to Branches\" metaphor to be interpreted through both fullness and emptiness. Following the initial sketches, this relationship was refined into a more structured visual hierarchy, further reinforced by a color palette of beige and earthy tones. The final designs were produced for both A3 poster and billboard formats
", "sections": [ { "title": "Final", "images": [ "/digital/event-branding/print-layout/poster/final 1.webp", "/digital/event-branding/print-layout/poster/final 2.webp", "/digital/event-branding/print-layout/poster/final 3.webp", "/digital/event-branding/print-layout/poster/final 4.webp" ] }, { "title": "Process", "images": [ "/digital/event-branding/print-layout/poster/process1.webp", "/digital/event-branding/print-layout/poster/process2.webp" ] } ] }, { "title": "Booklet", "cover": "/digital/event-branding/print-layout/booklet/final 5.webp", "full_description": "As the Print Layout Designer, I structured this booklet using project-specific typography strategies and layout arrangements. Aligned with the overall visual identity, beige and earthy tones serve as the foundation, while orange and green accents are integrated to support the \"From Roots to Branches\" metaphor.The defining feature of this print-ready design is the intentional use of cut-outs. The blank spaces within the layout are conceived as physical voids, creating a layered experience where the \"Eduardo Chillida\" title sits on the top cover, and the custom motif resides on the inner layer. This multi-dimensional approach establishes a visual hierarchy that directly reflects the artist’s lifelong exploration of the relationship between space and negative space.
", "sections": [ { "title": "Final", "images": [ "/digital/event-branding/print-layout/booklet/final 1.webp", "/digital/event-branding/print-layout/booklet/final 2.webp", "/digital/event-branding/print-layout/booklet/final 3.webp", "/digital/event-branding/print-layout/booklet/final 4.webp", "/digital/event-branding/print-layout/booklet/final 5.webp" ] }, { "title": "Process", "images": [ "/digital/event-branding/print-layout/booklet/process 1.webp", "/digital/event-branding/print-layout/booklet/process 2.webp", "/digital/event-branding/print-layout/booklet/process 3.webp", "/digital/event-branding/print-layout/booklet/process 4.webp" ] } ] } ] }, { "title": "Social Media Design", "cover": "/digital/event-branding/social-media/screenshot_1.webp", "full_description": "The social media content designed for this exhibition translates the project's visual identity into an immersive digital experience. Specifically tailored for Instagram, the carousel posts are designed with a \"bleed\" effect, where individual frames visually connect to create a flowing and continuous narrative. This flow represents the \"From Roots to Branches\" metaphor through a sense of temporal and visual continuity in the digital space.
The design prioritizes the figure-ground relationship and the custom motifs derived from Chillida’s sculptural forms. This structured layout ensures a cohesive aesthetic when viewed as a grid, merging the primary beige and earthy palette with orange and green accents to align the exhibition’s corporate identity with modern social media aesthetics.
", "sections": [ { "title": "Final", "images": [ "/digital/event-branding/social-media/FİNAL 1.webp", "/digital/event-branding/social-media/FİNAL 2.webp", "/digital/event-branding/social-media/FİNAL 3.webp", "/digital/event-branding/social-media/FİNAL 4.webp", "/digital/event-branding/social-media/FİNAL 5.webp", "/digital/event-branding/social-media/FİNAL 6.webp", "/digital/event-branding/social-media/FİNAL 7.webp", "/digital/event-branding/social-media/FİNAL 8.webp", "/digital/event-branding/social-media/screenshot_1.webp", "/digital/event-branding/social-media/screenshot_2.webp" ] }, { "title": "Process", "images": [ "/digital/event-branding/social-media/İLK SIRA PROCESS 1.webp", "/digital/event-branding/social-media/İLK SIRA PROCESS 2.webp", "/digital/event-branding/social-media/İLK SIRA PROCESS 3.webp", "/digital/event-branding/social-media/İKİNCİ SIRA PROCESS 1.webp", "/digital/event-branding/social-media/İKİNCİ SIRA PROCESS 2.webp", "/digital/event-branding/social-media/İKİNCİ SIRA PROCESS 3.webp" ] } ] }, { "title": "Promo Video", "cover": "/digital/event-branding/promo-video/FINAL.mp4", "full_description": "This promo video translates the 'From Roots to Branches' metaphor into a dynamic visual language. Centered on custom motifs derived from the artist's forms and the figure-ground relationship, the narrative prepares the audience for the retrospective flow within CerModern’s flexible gallery space.
", "sections": [ { "title": "Final", "images": [ "/digital/event-branding/promo-video/FINAL.mp4" ] }, { "title": "Process", "images": [ "/digital/event-branding/promo-video/PROCESS.mp4" ] } ] }, { "title": "SPATIAL VENUE MOCK UP", "cover": "/digital/event-branding/spatial-venue/FİNAL 1.webp", "full_description": "This mockup study visualizes the spatial layout and visitor experience of Eduardo Chillida’s retrospective exhibition within the main gallery of CerModern. Modeled in SketchUp and enhanced through AI-supported visualization tools, these renders simulate the seamless integration between the exhibition design and the venue's architectural language.
", "sections": [ { "title": "Final", "images": [ "/digital/event-branding/spatial-venue/FİNAL 1.webp", "/digital/event-branding/spatial-venue/FİNAL 2.webp", "/digital/event-branding/spatial-venue/FİNAL 3.webp", "/digital/event-branding/spatial-venue/FİNAL 4.webp", "/digital/event-branding/spatial-venue/FİNAL 5.webp", "/digital/event-branding/spatial-venue/FİNAL 6.mp4" ] }, { "title": "Process", "images": [ "/digital/event-branding/spatial-venue/process 1.webp", "/digital/event-branding/spatial-venue/process 2.webp" ] } ] }, { "title": "Presentation", "cover": "/digitalworks/presentation/presentation.webp", "images": [ "/digitalworks/presentation/Group1_PresentationNearFinal.pdf" ] } ], "id": "event-branding-chillida", "tools": "Adobe Illustrator, After Effects, SketchUp" }, { "title": "INFOGRAPHIC DESIGN", "category": "Infogram", "role": "Research, Concept Development, and Layout.", "team": "Sıla Halezeroğlu, Elifsu Aydoğan, Enes Kaynar, Nehir Topaloğlu, Tuğba Yıldız", "context": "Freelance", "image": "/digital/2/KAPAK.webp", "full_description": "In this collaborative project by a team of five, we focused on the significance of sustainable fast fashion, actionable steps, and potential positive outcomes. Following extensive research, the data was transformed into an isometric infographic, where each column visualizes a specific stage. In the process, we identified that the flags and descriptions acted as the final focal point, failing to provide essential information at the outset. To improve clarity, we restructured the layout by placing the descriptions next to their respective columns according to a clear visual hierarchy.
", "sections": [ { "title": "Final", "images": [ "/digital/2/c.webp" ] }, { "title": "Process", "images": [ "/digital/2/a.webp", "/digital/2/b.webp" ] } ], "tools": "Adobe Illustrator", "id": "infographic-design", "cover_position": "top" }, { "title": "VISUAL STORYTELLING WITH PICTOGRAMS", "category": "Visual Storytelling", "role": "Visual Storyteller&Motion Designer&Sound Designer", "team": "Sıla Halezeroğlu", "context": "Competition", "image": "/digital/3/b.mp4", "full_description": "The objective of this study is strictly visual narration. Pictograms aligned with the selected film's narrative were curated and sequenced to articulate the core theme. These assets were subsequently refined and animated in Adobe Photoshop, with the final audio-visual integration performed in Adobe Premiere. The cohesive visual language and structured progression ensure a successful transmission of the film's thematic essence.
", "sections": [ { "title": "Final", "images": [ "/digital/3/b.mp4" ] }, { "title": "Process", "images": [ "/digital/3/a.webp" ] } ], "tools": "Adobe Photoshop, Adobe Premiere Pro", "id": "visual-storytelling-pictograms" }, { "title": "RE-CUT EDITING", "category": "Re-Cut&Genre-Bending", "role": "Creative Direction, Narrative Reconstruction, Video Editing, Sound Design, Color Grading.", "team": "Sıla Halezeroğlu", "context": "Digital Works", "image": "https://img.youtube.com/vi/G4G4Fs5atMM/maxresdefault.jpg", "full_description": "The objective of this project was to subvert a film's original genre and create a trailer for its re-imagined version. I re-interpreted the animated musical Frozen as an intense action-thriller. Every decision—from visual pacing and dialogue selection to sound design—was meticulously curated to align with this new atmosphere. By implementing a darker color grade and selecting a new typography, I successfully transformed the narrative's tone to fulfill the project goals.
", "sections": [ { "title": "Final Cut", "images": [ "https://www.youtube.com/embed/G4G4Fs5atMM" ] } ] }, { "title": "TYPOGRAPHIC POSTER", "category": "Information Design", "role": "Typographic Designer", "team": "Sıla Halezeroğlu", "context": "Digital Works", "image": "/digital/5/2.webp", "full_description": "The objective of this project was to design an A3 print and social media posts based on a specific information hierarchy. The challenge was defined by strict constraints: a monochromatic color palette and a purely typographic approach, with no additional visual elements or shapes allowed. I successfully completed the task by establishing a clear hierarchy and visual harmony through typography alone.
", "sections": [ { "title": "Final", "images": [ "/digital/5/1-KPK.webp", "/digital/5/2.webp" ] } ], "tools": "Adobe Illustrator", "id": "typographic-poster" }, { "title": "GRID SHIFT", "category": "Digital Design", "role": "Editorial Designer & Layout Strategist", "tools": "Adobe Illustrator", "team": "SILA HALEZEROĞLU", "context": "Digital Works", "image": "/digital/grid-shift/FİNAL 4.webp", "full_description": "This project, developed as part of an assignment during my Visual Communication Design studies, involves the analysis and transformation of a pre-existing layout structure. As a student and aspiring designer, my primary task was to adapt the rigid vertical column discipline of a complex restaurant guide template into a newly envisioned concept, maintaining structural integrity while completely redefining the visual narrative.
", "sections": [ { "title": "Final", "images": [ "/digital/grid-shift/FİNAL 1.webp", "/digital/grid-shift/FİNAL 2.webp", "/digital/grid-shift/FİNAL 3.webp", "/digital/grid-shift/FİNAL 4.webp" ] }, { "title": "Process", "images": [ "/digital/grid-shift/PROCESS.webp" ] } ], "id": "grid-shift" } ], "basic_design": [ { "title": "SELF PORTRAIT BY PRINT MAKING", "category": "Basic Design", "role": "Student Designer", "team": "Sıla Halezeroğlu", "context": "Basic Design Studio / Fall 2024", "image": "/basicdesign/Self Portrait by Print-Making/kpk.webp", "full_description": "This work is a self-portrait project created using printmaking techniques. It focuses on the reflection of a personal image onto paper, utilizing the textural possibilities and technical discipline inherent in traditional methods.
", "sections": [ { "title": "Final", "images": [ "/basicdesign/Self Portrait by Print-Making/kpk.webp" ] }, { "title": "Process", "images": [ "/basicdesign/Self Portrait by Print-Making/2.webp", "/basicdesign/Self Portrait by Print-Making/3.webp", "/basicdesign/Self Portrait by Print-Making/4.webp", "/basicdesign/Self Portrait by Print-Making/5.webp", "/basicdesign/Self Portrait by Print-Making/6.webp", "/basicdesign/Self Portrait by Print-Making/7.webp" ] } ], "id": "self-portrait-print" }, { "title": "HARMONY", "category": "Basic Design", "role": "Student Designer", "team": "Sıla Halezeroğlu", "context": "Basic Design Studio / Fall 2024", "image": "/basicdesign/1/kpk.webp", "full_description": "This project focuses on the structured relationship between two geometric shapes, evolving into a visual harmony that transcends simple placement. Rather than a random arrangement, the composition is built upon a disciplined system where the interaction of these forms creates a unified and balanced structure. By adhering to specific rules of proportion and positioning, the two shapes engage in a dialogue that highlights both their individual characteristics and their collective impact. This methodical approach to negative and positive space results in a minimalist yet sophisticated aesthetic, demonstrating how mathematical logic can be transformed into a cohesive and meaningful visual language.
", "sections": [ { "title": "Final", "images": [ "/basicdesign/1/kpk.webp" ] }, { "title": "Process", "images": [ "/basicdesign/1/0.webp", "/basicdesign/1/a.webp", "/basicdesign/1/b.webp", "/basicdesign/1/c.webp", "/basicdesign/1/d.webp", "/basicdesign/1/e.webp", "/basicdesign/1/f.webp", "/basicdesign/1/h.webp" ] } ] }, { "title": "DEPTH", "category": "Basic Design", "role": "Student Designer", "team": "Sıla Halezeroğlu", "context": "Basic Design Studio / Fall 2024", "image": "/basicdesign/2/kpk.webp", "full_description": "This project aims to go beyond a visual plane, creating a layered sense of depth through the interaction of forms. During the development stage, the hierarchy created by the overlapping and scaling of geometric structures adds dynamism to a static surface.
Regarding the process, the most critical turning point was the technical refinement of shadow and perspective elements. The initial form trials evolved from mere shapes into spatial volumes thanks to the controlled light-and-shadow interplay applied at this stage. Precise adjustments to the direction and intensity of shadows strengthened the contact between objects and the ground, as well as with each other. Meanwhile, revisions in the perspective composition guided the viewer's gaze, bringing the illusion of depth on the surface to a more convincing level. These improvements provided the final stage of the project with both professional technical competence and a more dynamically layered visual quality.
", "sections": [ { "title": "Final", "images": [ "/basicdesign/2/kpk.webp" ] }, { "title": "Process", "images": [ "/basicdesign/2/a.webp", "/basicdesign/2/b.webp", "/basicdesign/2/c.webp" ] } ] }, { "title": "Rhythm within harmony", "category": "Basic Design", "role": "Student Designer", "team": "Sıla Halezeroğlu", "context": "Basic Design Studio / Fall 2024", "image": "/basicdesign/6/kpk.webp", "full_description": "This work represents a disciplined design process centered on the theme of \"rhythm within harmony,\" constructed through variations in rule repetitions. While squares function as balancing elements that provide stability within the composition, equilateral triangles animate the design by generating dynamic energy and facilitating eye tracking. The mathematical alignment of elements, strategic overlapping, and the deliberate creation of new geometric forms—such as triangles and rectangles—within negative spaces reinforce the consistency and harmony of the visual language. The choice of a portrait orientation supports a sense of gravity and downward visual flow, successfully transforming the contrast between stability and dynamism into a controlled, aesthetic rhythm. Finally, the design was refined and enhanced by rectifying the inconsistencies in negative space and balance identified during the initial process stages.
", "sections": [ { "title": "Final", "images": [ "/basicdesign/6/kpk.webp" ] }, { "title": "Process", "images": [ "/basicdesign/6/b.webp", "/basicdesign/6/f.webp", "/basicdesign/6/a.webp", "/basicdesign/6/c.webp", "/basicdesign/6/e.webp", "/basicdesign/6/g.webp", "/basicdesign/6/h.webp" ] } ] }, { "title": "HARMONY", "category": "Basic Design", "role": "Student Designer", "team": "Sıla Halezeroğlu", "context": "Basic Design Studio / Fall 2024", "image": "/basicdesign/7/kpk.webp", "full_description": "The core strategy of the work is built upon methods such as repetition of shapes, proximity, alignment, and the figure-ground relationship. Equilateral triangles are utilized to introduce movement and dynamism, while square forms provide balance and visual stability. A mathematical consistency is established by arranging all elements in multiples of three. Through this rule-based placement, a visual dialogue is created between the components—as if the \"elements start talking to each other\"—enhancing the design's readability and ensuring that the composition is perceived not as a collection of random parts, but as a cohesive and unified whole.
", "sections": [ { "title": "Final", "images": [ "/basicdesign/7/kpk.webp" ] }, { "title": "Process", "images": [ "/basicdesign/7/a.webp", "/basicdesign/7/b.webp", "/basicdesign/7/c.webp", "/basicdesign/7/d.webp", "/basicdesign/7/e.webp", "/basicdesign/7/g.webp" ] } ], "id": "harmony-2" } ], "photography": [ { "id": "mise-en-scene", "title": "MISE EN SCÈNE", "cover": "/assets/photography/mise-en-scene/kpk-2.webp", "date": "2024", "location": "Studio", "camera": "Studio", "artist_statement": "This project aims to reproduce the visual language, composition, and lighting atmosphere of a classical artwork in a modern studio environment using mise-en-scène techniques. The primary focus of the project is to conduct framing analysis, dramatic light management, and professional art direction under limited resources.\n\nArtemisia Gentileschi's 1620 work, \"Jael and Sisera,\" was selected as the primary reference due to its deep shadows, dramatic lighting angles, and powerful composition. Unwanted background details were isolated using black cardboard, and the pillars were modified to harmonize with the painting. Costumes and accessories were modernized using available resources. A key detail in the painting, the sword, was handcrafted using a \"cardboard and scissors\" technique, demonstrating creative problem-solving skills.\n\nTo capture the Chiaroscuro effect of the original work, the main light source was positioned next to the fixed camera, while a second light source hitting the model from a high angle provided depth and sharpness. In the final stage, the characteristic color palette of the classical era was achieved through digital color grading.\n\nThis project was made by Sıla Halezeroğlu, Elifsu Aydoğan, Enes Kaynar, İhsan Oğuz Sunel, Mustafa Mutlu Soylu.\n\nSpecial Thanks To Simge Engürü.", "images": [ "/assets/photography/mise-en-scene/kpk-2.webp", "/assets/photography/mise-en-scene/1.webp" ] }, { "id": "street-vendors", "title": "STREET VENDORS", "cover": "/assets/photography/street-vendors/1.webp", "date": "2024", "location": "Street Life", "camera": "Sony A7III / 50mm", "artist_statement": "This photography series is a documentary study that examines street vending as a 'living practice' within the urban landscape. Throughout the project, I observed the relationship established between the city and these mobile, flexible structures, documenting human interactions at a micro-level. The primary objective is to capture the presence of these individuals—who are integral yet often overlooked components of the city's commercial and social fabric—exactly as they are, without any intervention. The visual narrative is constructed to highlight the inherent authenticity of the street and the unique aesthetic of these transient workspaces. Through compositions framed with a designer's eye, I present the viewer with the visual harmony and resilient existence found within this chaotic urban order.", "images": [ "/assets/photography/street-vendors/1.webp", "/assets/photography/street-vendors/2.webp", "/assets/photography/street-vendors/3.webp", "/assets/photography/street-vendors/4.webp", "/assets/photography/street-vendors/5.webp", "/assets/photography/street-vendors/6.webp" ] }, { "id": "contrast-architecture", "title": "CONTRAST ON ARCHITECTURE", "cover": "/assets/photography/architecture-modern/IMG_1065.webp", "date": "2023", "location": "Urban Architecture", "camera": "Sony A7III / 35mm", "artist_statement": "In the Contrast Architecture series, I explore the architectural duality of Ankara by focusing on the striking visual differences between two distinct locations: Ulus and Bilkent. This project is an investigation into how the city's spatial identity is shaped by the constant tension between its historical roots and its modern development.\n\nUlus represents the organic and layered core of the city. The photographs capture narrow streets and the complex, traditional center, where every corner reflects a history accumulation.\n\nIn contrast, Bilkent showcases a landscape defined by planning, geometry, and a minimalist aesthetic. Here, the lens captures the sharp lines and vast, organized spaces that characterize the contemporary face of the city. The visual language emphasizes rhythm and symmetry, reflecting a structured environment that stands in opposition to the more spontaneous nature of the old city.\n\nAs a Visual Communication Designer, I view this contrast as a vital part of Ankara's urban rhythm. This series documents the dialogue between these two opposing spatial languages, highlighting how the coexistence of the traditional and the modern creates the unique architectural character of the landscape.", "is_nested": true, "folders": [ { "title": "Modern", "cover": "/assets/photography/architecture-modern/IMG_1065.webp", "images": [ "/assets/photography/architecture-modern/IMG_1065.webp", "/assets/photography/architecture-modern/IMG_1066.webp", "/assets/photography/architecture-modern/IMG_1068.webp", "/assets/photography/architecture-modern/IMG_1070.webp" ] }, { "title": "Traditional", "cover": "/assets/photography/architecture-traditional/IMG_0968.webp", "images": [ "/assets/photography/architecture-traditional/IMG_0936 (2)(1).webp", "/assets/photography/architecture-traditional/IMG_0968.webp", "/assets/photography/architecture-traditional/IMG_0970.webp", "/assets/photography/architecture-traditional/IMG_0979 (1).webp", "/assets/photography/architecture-traditional/IMG_0984 (1).webp" ] } ] }, { "id": "negative-space", "title": "NEGATIVE SPACE", "cover": "/assets/photography/negative-space/1.webp", "date": "2024", "location": "Minimalism", "camera": "Sony A7III / 50mm", "artist_statement": "In the Negative Space series, I shift my focus from the object itself to the void that surrounds and defines it. In visual communication design, space is not merely an absence; it is one of the most fundamental building blocks that sustains the composition, allows it to breathe, and imbues it with meaning.\n\nIn this work, I aimed to visualize the silence within fullness and the serene balance created by emptiness. By isolating the subject in my photographs, I invite the viewer to feel the internal rhythm of the 'nothingness' within the frame. These empty areas make the central subject more prominent and striking, while simultaneously providing a free space for the mind to interpret the scene.\n\nThis series is the result of my exploration of that thin line where presence can only be defined through absence.", "images": [ "/assets/photography/negative-space/1.webp", "/assets/photography/negative-space/2.webp", "/assets/photography/negative-space/3.webp", "/assets/photography/negative-space/4.webp", "/assets/photography/negative-space/5.webp" ] } ], "profile": { "bio": "I am a designer dedicated to finding the perfect balance between aesthetics and functionality in the world of Visual Communication Design. Across a broad spectrum from brand identity to digital experiences, I blend modern design principles with innovative perspectives. My goal is to create visual systems that evoke curiosity and remain memorable. I always place user experience at the core of my projects, utilizing design as a method of problem-solving. I value continuous growth and believe in the power of evolving through experience.", "image": "/assets/profile_new.webp", "cv_file": "CV_SılaHalezeroglu.pdf" }, "experience": [ { "year": "2024 - NOW", "role": "Film and Video Editor", "company": "Moon Mark Works" }, { "year": "2025 - NOW", "role": "Student Mentor", "company": "TED University (CTL)" }, { "year": "2025 - NOW", "role": "Social Media & Design Team", "company": "PsiNous" }, { "year": "2025 - NOW", "role": "Social Media Designer", "company": "TED University Teknofest" }, { "year": "2025", "role": "Workshop Coordinator", "company": "Control Z Sustainable Studio" } ], "education": [ { "year": "2023 - 2028", "role": "Visual Communication Design", "company": "TED University (GPA: 3.57)" }, { "year": "2025 - NOW", "role": "Minor in Sociology", "company": "TED University" }, { "year": "2018 - 2023", "role": "High School", "company": "Trabzon Social Sciences High School" } ], "skills": [ { "name": "Illustrator", "short": "Ai", "level": 3, "color": "#330000", "text": "#FF9A00" }, { "name": "Lightroom", "short": "Lr", "level": 4, "color": "#001E36", "text": "#31A8FF" }, { "name": "Premiere", "short": "Pr", "level": 4, "color": "#00006B", "text": "#10000FF" }, { "name": "Photoshop", "short": "Ps", "level": 3, "color": "#002E36", "text": "#32A8FF" }, { "name": "Miro", "short": "M", "level": 3, "color": "#FFD03F", "text": "#50039" } ], "footer": { "cta": "Ready to create?", "btn_text": "Let's Talk", "email": "contact@silahalezeroglu.com", "social": [ { "name": "Instagram", "url": "https://instagram.com/silahalezeroglu" }, { "name": "LinkedIn", "url": "https://tr.linkedin.com/in/s%C4%B1la-halezero%C4%9Flu-0168a7321" } ] } }